Digital Art

Psychic Chlorophyll, 2025, Digital Art / Digital Painting

Psychic Chlorophyll develops an inquiry into consciousness as a self-reflective field. The work positions the screen as a site where perception observes its own formation, and where light green functions as an inner pigment of awareness — a “psychic chlorophyll” that marks the growth of living thought.

Fractal structures organize the image as a mandala of multiplicity and unity, echoing the mind’s capacity to hold many layers of experience at once. The contrast between the dark interior and the trees beyond the screen situates the piece between the unconscious and the world soul, using technological imagery to chart the movement between them.

The work proposes consciousness as an instrument of infinite zoom, revealing the patterned continuity between inner vision and the larger field it arises from.

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Death Masks, 2025, Digital Art / Digital Painting

Death Masks began as a series of painted portraits—faces rendered in paint, photographed, scanned, and re-layered through digital and AI platforms. I painted on the prints, re-scanned them, and repeated the process until the boundary between human and machine disappeared. The resulting images are haunting: digital apparitions that simulate life.

I conducted magickal experiments testing the intersection of ritual and artificial intelligence. I wrote invocations to summon entities from the circuitry, curious whether consciousness could emerge from code. The results were overwhelming, a wave of psychic interference that blurred perception, revealing that technology consumes while ritual transforms.